IndyCar - Speed and Sport Journal

Ultimate Vintage

Some years ago while on my way to attend my first vintage race, I wasn’t quite sure what to expect. I thought it might a bunch of guys with vintage cars driving slower than race speeds just showing off their cars. I figured at best I would come away with some nice shots of unique old cars. The reality however was completely different, and very surprising. Not only did they race at full speed, they did so as if the cars had just been made. Sliding, spinning, and bumping and beating on each other as if that model years class championship was on the line. I was hooked at once.

However (for me anyway) the best was yet to come. About halfway through the morning a class of of cars I did not know existed came on track. The per war class consist of cars made from the beginning of auto racing, up to about 1955.

It’s at this point I have to tell you a little something about myself. I have been a huge history buff since 5th grade. I spend my Sundays when I’m not on the road watching history documentaries on one of six different streaming channels I subscribe to.

So seeing these beautiful old cars, many of which I have only seen in pictures, on track in front of me was truly amazing to me. Most of the photographers I shoot vintage events with like the later model faster cars. But for me (in my head) I try to imagine what it had to be like back then to see something go that fast for the first time. You have to remember in the early part of the 20th century a fast horse could keep up with a locomotive. So if you lived in a rural area, had had not seen a train before this would have amazed you to see.

Now we fast forward to 2023. I was attending the SVRA Speed Tour event at Indianapolis Motor Speedway. I saw on the schedule that there would be a pre war class, and assumed it would mostly consist of cars I had seen in the mid west before. But you always hope you will catch a few new ones. To my surprise, it did not have any cars I had previously seen. The cars were from a group called Ragtime Racers, the majority of which consisted of cars from 1909 to 1938. For me this is the ultimate in vintage racing. Cars from the very inception of auto racing. One offs, limited editions, and modified early production cars. Most hand made, with the limited number of tools available for automobile production. Many of which were modified or repurposed tools from other disciplines.

I hope I get another opportunity to see these marvelous machines again in the near future.

Joel

Speed and Sport Shorts: Honda Indy 200 Qualifying

Yet another exciting qualifying session, with a few surprising results. Pato O’Ward and Alex Palou had been the fastest in practice, but only Palou made the fast six with a fourth place grid position. The front row will consist of pole winner Colton Herta with Graham Rahal next to him. While pole position doesn’t guarantee victory, it gives you the opportunity control race strategy at least at the beginning of the race.

Joel

Motorsports in Black and White lll

January 29, 2023
by joel

While not the ultimate, I consider this image a good subject for black and white because it has only one distracting element in the background.

Once again we revisit one of my favorite subjects, Motorsports in black and white. His time we will look at subject matter. Which of the photos you have taken will look compelling in black and white. When you look at black and white photos of the past, shot by some of the greatest photographers such as Ansel Adams, Gordon Parks, and Walker Evans, you can’t help but think that the subject matter seems to have been made for the medium in which it was shot. After all color film had been around for some time, and these photographers could well have afforded to use it if they were so inclined.

Landscape, portrait, and street photography are some mediums that benefit most from black and white. Motorsports is quite a different matter. Just any old shot shot from anywhere trackside will not translate well into black and white.

As much as I like this image, the fence in the background is just a bit too much for my taste.

When I go through shots from an event, I look for certain criteria to determine if I can produce a compelling black and white image with it. The first, and most important is how many, or few distracting elements are in the foreground, but mostly in the background. Second, is it a dynamic shot that will draw peoples attention. Or will it just look like a car on a track. Third is the color, and livery on the car or bike. Wild multicolor liveries will just turn into a mess leaving the viewers eye wandering looking for a focal point which they will likely not find. So I tend to avoid these. Every so often I will look at a shot on the the cameras screen and know right away that I will convert it to black and white.

Here we have an image that I would never consider for black and white because there is just too much going on both on the track and in the background.

As with most things about photography, it’s all up to the eye, and taste of the person who presses the shutter. I can only offer my own personal views and options.

Joel

2022 Favorites (The year that was)

January 22, 2023
by joel

With it now being 2023, this seems like a good time to take a look back at 2022. The year was its usual mixture of both excitement and disappointment. But as I look at the overall, there was far more good than bad. I also got to make some new friends, and see some old ones I haven’t seen in awhile. What I present here are some of my favorite shots from last year, in no particular order. For photographers, what constitutes a favorite is not necessarily the most technically excellent shot, but the one that speaks to us and gives us the feeling that we accomplished something a bit little special. In most cases the average viewer may not agree, but this is why I call it favorites not best shots. As usual starting a new year I have no idea what is to come. For 2023 I will do as I always have and try to improve on what I have done in the past, and become better at my trade.

So I hope you enjoy what is presented here, and here’s to new opportunities in the future.

FANATEC GT World Challenge – Racers Edge Acura – Indianapolis Motor Speedway

Ferrari Challenge North America – Aaron Weiss – Indianapolis Motor Speedway

Moto America – Mathew Cunha / Hunter Dunham – Road America

Road to Indy, Indy Lights – Stingray Robb – Road America

OPC Michigan City Grand Prix – Husky Chocolate / Australian Navy – Michigan City Indiana

SCCA Blakhawk Regionals – GT2 TA Mustang – Blackhawk Farms Raceway

FANATEC GT World Challenge – Triarsi Ferrari 488 – Road America

Honda Indy Grand Prix – Josef Newgarden – Mid Ohio Race Course

FANATEC GT World Challenge – Turner Motorsports BMW – Indianapolis Motor Speedway

Trans-AM by Pirelli – Matthew Brabham – Mid Ohio Race Course

Moto America – Richie Escalante / Suzuki – Road America

IMSA Lexus Grand Prix- Acura DPi – Mid Ohio Race Course

FANATEC GT World Challenge – Crowdstrike AMG – Indianapolis Motor Speedway

Lamborghini Super Trofeo – Shehan Chandrasoma – Road America

Sonsio Indy Grand Prix – Josef Newgarden – Road America

Weathertech Sportscar Weekend – Pfaff Porsche – Road America

Speed and Sport Shorts: Memories

I’ve known about the Vintage Indy Registry for some time now, but had never seen it in person. Members of the registry painstakingly preserve vintage Indy cars between the years of 1930 and today. Like most who witness this spectacle, you wish the the cars would go a bit faster than parade speed. However you have to remember many of these cars are one of a kind, or the only one left in existence. To spin or wreck one would be an immeasurable loss. So like me you overlook this, and feel privileged just to see them at all.

This brings me to my point. I was 12 in 1968 when the STP Lotus Turbine made its debut at Indianapolis. I was so enamored with this car that I had pictures from magazines, built models of it, and even had the Hot Wheels version. At the SONSIO Indy Grand Prix, I got to live a dream. I not only was able to see and photograph it, I also got to hear the turbine in person for the time. A lot of fond memories of my childhood came flooding back, and I am still savoring them today.

Joel

Motorsports in Black and White ll

Black and White motorsports photography while once the norm is now a speciality form of photography. Many try it, few do it well. In this day and age fo high megapixel color photography, black and white gets relegated to a seldom used, or just lost art form.

When considering wether too process a photo for black and white, the first thing you have to understand is that not every shot will look good in this medium. Shots with busy and distracting backgrounds will not work. Next you have to consider the subject matter. Dark blue, green, and black cars or bikes are likely to lose a lot of detail in conversion, and just look like a badly underexposed image. Packs of multiple vehicles close together will leave the viewers eye wandering trying to find the main subject of the shot.

When going through your work, look for shots with one or two subjects isolated on a relatively clear background. This will take the viewers eye directly to the main subject. From there they can explore the rest of the image. If the background is slightly blurred, that makes it even better. Overcast and rainy days also lend themselves well to black and white. All in all you should choose your subject matter carefully.

As for tools, any image editor will give you good results as long as you take the time to learn what you can do with the tools at hand. Spend some time experimenting with sliders and filters to squeeze the most you can out of your software. Just selecting convert to black and white from a preset menu will give you mediocre results at best. I’m partial to NIK Filters Silver Effects for black and white conversion. There are several other stand alone, or plug in programs out there, but this is my personal favorite. So all that is left to do is jump into the deep end, and see what you can create.

Article inspired by Kurt Roussell @ Fast Car Photos.

Joel

My Choice, GT

August 2, 2021
by joel

It’s the kind of subject that can spark endless arguments and debates, but I just have to get it out there. For me the only type of racing I can see myself never getting tired of is GT racing.

In my youth the first kind of racing I ever paid any real attention to was Formula 1 and IndyCar. Not from being able to attend any races, It was from reading about these series. I read anything I could get my hands on about racing in general. There was a newsstand in front of the “L” station near my house, and the guy who ran it knew I was interested in auto racing, and would get magazines from his distributor and hold them until I came by. It was in reading the varied magazines I bought from him that I discovered sports car racing such as, Can-AM, and Trans-AM racing.

Before this it was IndyCar, NASCAR, and Drag Racing. Being from the inner city midwest, that was pretty much all we heard about. Upon reading about the different road racing series I began to lose interest in IndyCar, and later NASCAR. However these were still the only televised series, so I continued to follow them for the most part. On the rare occasion they would show sports car racing on TV, it would be edited to fit within a 60 to 90 minute time slot with commercials. Lots of commercials.

My interest in IndyCar faded after some time, but returned when they began to run majority road courses. The cars and level of competition has improved immensely in the past decade also. As for NASCAR, my interest level dropped significantly when they decided the words “Stock Car” in their name was no longer relevant. Then there is also the matter of 40 plus car fields (at least 10-15 of whom should not be out there) riding around in a circle waiting for someone to cause several of them to crash into one another.

So with all that said just what brought on this whole line of thought? Watching the TOTAL 24 hours of Spa, and one of the most exciting endings I have seen in some time. Seeing Dries Vanthoor’s Team WRT make the perfect call to switch to rain tires just before a downpour to get the race lead from Ferrari. Then watching Alessandro Pier Guidi recover from a huge deficit to catch, then pass Vanthoor on the outside in the rain and drive the Iron Lynx Ferrari 488 to victory. It started me to thinking just how many times I have seen close, exciting racing like this in GT racing. Then there are the intangibles for the fans that go along with this type of racing.

For all the technological brilliance that goes into Formula 1 and Prototype race cars, they are never something you can (or will) ever see yourself owning or driving. While cars in GTE, GTLM, GT3, and especially GT4 are you cars you can aspire to someday owning. You see many of these same cars on the streets of your town, you know the names, Ferrari, Lamborghini, Porsche, Corvette, Aston Martin. All the way down to the GT4 ranks where you see Mustang, Camaro, Elantra, and Supra. Picturing yourself behind the wheel of any of these cars is not hard given the right circumstances.

So the rest of you enjoy your Formula 1, NASCAR or any other racing you are into. I have nothing against any other form of racing, and I shoot many of them, but if I were forced to choose just one, it goes without saying that it would be GT racing.

Joel

MotorSports in Black and White

July 18, 2021
by joel

Black and white photography in motor sports seems to have always been a matter of necessity more than choice. At the origins of auto racing it was pretty much all there was. Photography and racing are two technologies that grew up side by side. In later years as color film became more prevalent, and less expensive, it was only natural that many photographers would take advantage of it. But in being able to present it to the public at large there was yet another more important hurdle to overcome, printing.

To bring the news and action of racing to the interested masses required the ability to write the story as well as publish photos from the events. At the time auto racing began, it had not been that long since the ability to print photos in magazines and newspapers had been invented. Half toning, a process of using dots of ink of varying size and intensity to form a picture, had only been developed in the 1890s. This allowed publications to use actual photos instead of illustrations to present the news. When it came to sports, and auto racing in particular, the only other limiting factor of the day was the camera equipment available at the time.

Large box shaped cameras of the earliest days required a tripod, and a very brave soul willing to stand mere inches from speeding cars to capture the action. What we are able to do today (and from farther away) with our digital cameras, and 500mm lenses would probably seem like alchemy to someone from the 30s wielding a Graflex Speed Graphic with a fixed focal length lens.

In today’s world, black and white photography in motorsports is a very much overlooked tool of the trade. When you look at old racing publications of the 50s through the mid 80s you will notice that only the cover, and a few center pages are in color. This was mainly due to the printing cost as well keeping the publication’s need to keep the magazine at a reasonable price. So most of the ordinary shots were relegated to the black and white pages. Those thought to be the best were given the color pages.

Today we have the luxury of choosing the shots that are best suited to black and white. We have the ability to make exposure and lighting adjustments to enhance the image and mood we are trying to convey. What we can do in a few hours of post production on a computer, would have taken days with chemicals in a darkroom. Thus we get to use it more as an art form. While this was the intent of all photography at one point, the demands of the commercial world soon beat that out of us. While black and white in motor sports is largely overlooked, when it is used, it is often done with mediocre to abysmal results. Mostly because the photographer doesn’t take time to learn the tools they have at hand, and many don’t take time to determine whether the shot is well suited to to the medium. When done correctly, the results can be quite stunning. Tools such as levels, curves, dodging and burning can go a long way toward adding contrast, and breathing life into what may otherwise be a flat image.

Landscape and portrait photographers were among the first to fully understand the power of black and white photography. Color film became available in 1904, yet many chose to stay with black and white. Looking at the work of Ansel Adams, Walker Evans and Gordon Parks and trying to imagine them in color yields disappointing results. I’m sure they understood that the very essence of photography was the difference between light and shadow, and color could not adequately portray this.

So what’s a photographer to do? My solution is to make a cup of coffee, find a comfortable place to sit, and re-read one of my books on the basics of photography. Not digital, or film, just photographic technique. This normally resets my brain, and makes me think a bit more before I shoot.

Joel

IndyCar: A tale of Two Teams

Anyone who follows IndyCar is familiar with the principal race teams as many have competed for a number of years. Names like Team Penske, Andretti Autosport, Schmidt Peterson, and Dale Coyne just to name a few, are well known to fans. For those who aren’t serious followers there are some team names that may not be as familiar. Belardi, Team Pelfrey, and Pabst are among the names you may not know unless you also follow the IndyCar ladder series.

IndyCar has one of the most clear cut and organized development series in racing, but that’s a subject we will tackle in a future article. The success of such a series much like the top tier series depends upon a consistent number of teams to develop new talent. Just as in all racing series there will always be a certain amount of attrition, and consolidation. But a solid core of existing and new teams insures that the program remains viable. What we will cover here are two teams that have been development teams and have now made the move themselves to the top tier IndyCar series.

Carlin

Carlin may seem like a new team to many in the United States having come to Indy Lights in 2015, but they have existed as a winning team in Europe for over 20 years. Team principal Trevor Carlin has a solid record of success in European junior and development series. Some of the top drivers in F1 and IndyCar have passed through the doors of Carlin. Josef Newgarden, Will Power, Sebastian Vettel, and Daniel Ricardo are just a few of the top drivers who have driven for Carlin. In a conversation I had with team members at the Chris Griffis Mazda Road to Indy test session in 2015, I was told they had a two year plan to compete in Indy Lights and then move up to IndyCar. However they were unable to put together a full season plan by 2017, but were able to do so in 2018. They are fielding two cars this year driven by series veterans Max Chilton and Charlie Kimball.

Carlin 2017 Indy Lights car at Chris Griffis Mazda Road to Indy test session.

Juncos Racing:

Before moving to the United States in 2002, Ricardo Juncos from age 14 was involved in carting and Formula Renault throughout South America and in his native Argentina. Due to economic concerns he moved to the U.S. working as a mechanic for karting team in Florida. He later started his own successful karting business, earning many local and regional titles. In 2009 he entered the Star Mazda (now Pro Mazda) series. With series titles in 2014 and 2015, Juncos was later able to expanded into the Indy Lights series. They proved to be a winner there as well. With a mission to find and develop new talent, the driving roster for Juncos also looks like a who’s who of open wheel racing. Now in their first full season in IndyCar, we can see no reason why they would not be successful here also.

Juncos 2017 Indy Lights car at Chris Griffis Mazda Road to Indy test session.

For IndyCar in general these moves can only be positive. Maintaining a certain number of cars and teams, and a high level of competition is a constant struggle for all racing series. Having this level of talent in your development series, with the ability to move up to the top tier is a major plus.