Tag: gt racing

Unpublished #1

Every photographer I know has them, lots of them. Images that were taken at an event but were never posted or published anywhere. If you are like me, many have never even been edited. So when I am going through archived folders and run across one or more I think are worthy of publication, I copy them to a folder named hold for processing. Then from time to time when I am looking for something to post online, I go to this folder first. Most times I find what I need there. With that said I am going to start a new recurring series titled Unpublished to highlight some of these images, so they can finally see the light of day.

I have taken many shots go this Jaguar, but none that I thought were more than just average and not worth doing anything with. But somehow I miss this one.

This is one of my more unique images, but if you are going to shoot driver change practice, get permission first as I did. A guy who came along after while I was reviewing my shots did not asked. He learned a few new German swear words.

Here we have an interior of one of Blackdog racing’s McLaren’s shot in the first year of them operating them.

Joel

The Original Lizard Returns

Original livery on a 2016 Porsche.

After having seen various iterations of their race liveries over the past years, many of us have longed for the return of the iconic Flying Lizard liver of the past. Well in 2023 we will get our wish. The beloved red and silver traditional livery will return on the number 46 Porsche 911 GT3 R (type 991.2). They will run a full season schedule in GT America.

From 2021, one of many different liveries we have seen over the years.

In addition they will run a multi car GT4 campaign with two Aston Martin Vantage GT4’s. One in a black, yellow, and white color scheme. Carrying the number 2, and driven by Jason Bell, with the other car in orange and black and carrying the number 8, will be co driven by Elias Saba, and Andy Lee.

I am sure for many fans it will be a welcome to see this livery again.

Joel

Motorsports in Black and White lll

While not the ultimate, I consider this image a good subject for black and white because it has only one distracting element in the background.

Once again we revisit one of my favorite subjects, Motorsports in black and white. His time we will look at subject matter. Which of the photos you have taken will look compelling in black and white. When you look at black and white photos of the past, shot by some of the greatest photographers such as Ansel Adams, Gordon Parks, and Walker Evans, you can’t help but think that the subject matter seems to have been made for the medium in which it was shot. After all color film had been around for some time, and these photographers could well have afforded to use it if they were so inclined.

Landscape, portrait, and street photography are some mediums that benefit most from black and white. Motorsports is quite a different matter. Just any old shot shot from anywhere trackside will not translate well into black and white.

As much as I like this image, the fence in the background is just a bit too much for my taste.

When I go through shots from an event, I look for certain criteria to determine if I can produce a compelling black and white image with it. The first, and most important is how many, or few distracting elements are in the foreground, but mostly in the background. Second, is it a dynamic shot that will draw peoples attention. Or will it just look like a car on a track. Third is the color, and livery on the car or bike. Wild multicolor liveries will just turn into a mess leaving the viewers eye wandering looking for a focal point which they will likely not find. So I tend to avoid these. Every so often I will look at a shot on the the cameras screen and know right away that I will convert it to black and white.

Here we have an image that I would never consider for black and white because there is just too much going on both on the track and in the background.

As with most things about photography, it’s all up to the eye, and taste of the person who presses the shutter. I can only offer my own personal views and options.

Joel

2022 Favorites (The year that was)

With it now being 2023, this seems like a good time to take a look back at 2022. The year was its usual mixture of both excitement and disappointment. But as I look at the overall, there was far more good than bad. I also got to make some new friends, and see some old ones I haven’t seen in awhile. What I present here are some of my favorite shots from last year, in no particular order. For photographers, what constitutes a favorite is not necessarily the most technically excellent shot, but the one that speaks to us and gives us the feeling that we accomplished something a bit little special. In most cases the average viewer may not agree, but this is why I call it favorites not best shots. As usual starting a new year I have no idea what is to come. For 2023 I will do as I always have and try to improve on what I have done in the past, and become better at my trade.

So I hope you enjoy what is presented here, and here’s to new opportunities in the future.

FANATEC GT World Challenge – Racers Edge Acura – Indianapolis Motor Speedway
Ferrari Challenge North America – Aaron Weiss – Indianapolis Motor Speedway
Moto America – Mathew Cunha / Hunter Dunham – Road America
Road to Indy, Indy Lights – Stingray Robb – Road America
OPC Michigan City Grand Prix – Husky Chocolate / Australian Navy – Michigan City Indiana
SCCA Blakhawk Regionals – GT2 TA Mustang – Blackhawk Farms Raceway
FANATEC GT World Challenge – Triarsi Ferrari 488 – Road America
Honda Indy Grand Prix – Josef Newgarden – Mid Ohio Race Course
FANATEC GT World Challenge – Turner Motorsports BMW – Indianapolis Motor Speedway
Trans-AM by Pirelli – Matthew Brabham – Mid Ohio Race Course
Moto America – Richie Escalante / Suzuki – Road America
IMSA Lexus Grand Prix- Acura DPi – Mid Ohio Race Course
FANATEC GT World Challenge – Crowdstrike AMG – Indianapolis Motor Speedway
Lamborghini Super Trofeo – Shehan Chandrasoma – Road America
Sonsio Indy Grand Prix – Josef Newgarden – Road America
Weathertech Sportscar Weekend – Pfaff Porsche – Road America

Ferrari Prominence and Triarsi Competizione

In following sports car racing, one of the trends that is watched with interest is the constant change of cars from season to season. It can be both fun and heartbreaking to watch as you anticipate what car various teams will be using from season to season. Different manufacturers rise and fall in prominence each year, and you feel a bit sad if it’s one of your favorites that begins to fade. This is also true of series and regions. Cars that are widely raced in Europe, may have a smaller presence in the U.S. and vise versa. At one time Aston Matins were few on most grids, now they are pretty much ubiquitous.

Myself as a Ferrari lover, had noticed a downward trend in their use here as compared to Europe and Asia. 2022 saw a bit of a change in trajectory compared to the last few years. In part this can be attributed to the emergence of Triarsi Competizione. With two to three entries per race in Fanatec GT World Challenge North America, and as a major player in Ferrari Challenge, they seem to have ignited renewed interest in the 488 GT. I can’t help but feel the the new 296 GT3 will spark even more interest in the brand, and we should see the prancing horse once again prominent on many future grids.

Sample of entry prominence by Series (in no particular order)
– FANATEC GT Europe: AMG, Audi, Mclaren
– FANATEC GT North America: AMG, Lamborghini, Acura
– FANATEG GT Asia: Audi, AMG, Porsche
– IMSA: Porsche, AMG, BMW,
– British GT: AMG, Aston Martin, McLaren

This may not be 100% accurate, I’m just doing it from memory. It is just meant to show the variety of makes, and where they are popular. We are now in a new year, and there have already been announcements of teams switching to different brands. And so it goes on, and will continue to.

Joel

Farewell to Prototype Challenge (Sort of)

Besides the DPI class, we say farewell to the Prototype Challenge class, Again. I wrote pretty much the same story in November of 2017. That was when the open cockpit PC cars which were based on the old P1 design were phased out. 2023 will see the end of the current Prototype Challenge series.sort of.

IMSA is debuting a new series known as the VP Racing Sports Car Challenge. It will consist of 10 sprint races over five weekends, and will feature current LMP3 cars and GT4 cars. While the LMP3 cars will keep their current designation, the GT4 cars will be designated as GSX. These will be single driver races with no scheduled pit stops. Drivers must have either a bronze or silver rating.

While I understand the concept of the series, I’m still a bit puzzled about the logic behind it. If there is a similar series running anywhere else in the world I have not seen it. But not being on the inside, I am sure the is a sound rational behind the development of such a combination. As time passes, I’m sure I will come to understand it better.

joel

Speed and Sport Shorts: Tough Shots 1 (Rain)

When shooting motorsports much of what you shoot can be considered tough shots, but there are those situations that require a great deal more work and patience. Those who normally shoot slower moving, or stationary objects don’t appreciate the challenge of shooting really fast moving targets. You have track, lock onto, compose, and capture a subject that will only be there for a few seconds or less. Even with all of that there are other variables that make things more challenging. In this first post we will discuss one of them, rain.

Unlike NASCAR or IndyCar on the oval tracks, sports car racing doesn’t stop for rain unless it is so hard that it forms large puddles on the racing surface. Otherwise they switch to rain tires and continue. For the photographer this means putting on rain gear, covering your camera with a protective covering, and most likely standing in mud or a puddle to get the shot. While it can be very tough conditions to shoot in, the results are very rewarding.

So while the fans put up umbrellas, or run for cover, you will see these intrepid individuals covered in plastic carrying large cameras headed in the other direction, into the rain to try to capture what may be some of their best shots of the year.

 

Joel

FANATEC GT World Challenge Road America

One of the disappointments I have in covering motorsports is that I am limited in how far I can travel. Being a small independent outlet, all expenses come out of pocket. This year was particularly hard. But this is something I knew when I embarked on this venture, and I just have to endure it. It just saddens me though that I only get too cover some of my favorite series once or twice a year. This is especially true when it comes to sports car racing in general, and GT racing in particular.

This past weekend I got to see the form of racing I like best, GT3 and GT4. Road America is a perfect venue to showcase the FANATEC GT World Challenge America. Four miles, fourteen turns, and changing elevations provide the perfect place to show off the capabilities of both cars and drivers. I’m always happy to see a healthy field of cars on track. The GT4 class not only had a good number of entries, but offered a true Battle Royale throughout the entire field. While Stevan MCaleer and Eric Filgueirus drove their RS1 Porsche Cayman to victory by a healthy margin of 15 seconds in race 1. Race 2 would be more closely contested with only 8 seconds separating the top ten finishers.

Among the other truly enjoyable battles, was the battle in the TCA class between the Mini of JCW and the two Subaru BRZs of TechSport Racing. These three cars stayed bumper to bumper throughout the race, with the mighty Mini coming out on top with a pass in the final laps. At the location where I was shooting from, most of the people around me were focused on this battle.

As for the premier series, GT World Challenge North America, there was plenty of exciting racing as usual. If you are any kind of sports car fan, there is no way you can dislike this series. Top marque’s and drivers whats not too like. It was a weekend of highs for some, and lows for others. Winward Racing swept both races, Top series contender Crowdstrike / Riley MotorSport had nothing but bad luck. A DNF in race 1, and a strange incident with a hood in race 2. Both of these occurred on lap 1 of each race. In the second race George Kurtz and Colin Braun would soldier on hoodless to finish one lap down, but salvage some points. Series leading K Pax Racing while not having an ideal weekend, did what they could and overall managed to have a fair weekend and retain their points lead. The original field was thinned somewhat due to incidents in practice and qualifying. One of the more notable was the number 13 Triarsi Ferrari which fell victim to the kink, as did a few others that weekend.

There was but one disappointment for me. That was in GT America. It was not due to the quality of racing, and I enjoyed seeing Andy Pilgrim victorious again. It is in the length of these races. This was one aspect of the original Pirelli World Challenge I did not like. I like the concept of this series which allows for slightly older GT2 and GT3 cars to still compete. I like the idea of GT3 and GT4 cars on track at the same time. However in many cases just one full course yellow can take away as much as half of the race. This sentiment was echoed by many fans I talked to. It may just be my opinion, but I believe these races should be at least 50 – 60 minutes so that even in the event of a caution, we get to see more racing action. This not withstanding it is a fantastic class with lots of action when under green flag conditions. One of the most anticipated things was the Calloway Corvette. Having Corvette on track with all the other top GT3 contenders just seems right. I haven’t heard if Chevrolet was planning to make a true GT3 version of the current model, but if they do it would be well received.

All in all it was the expected great racing weekend (despite the weather man being wrong every day). As for me there is no place I would have rather been but trackside.

Joel

Robert Wickens: Climbing to the Top Again

One never knows until it happens to them how they will react to adversity. Without going into the psychology of it, the responses can vary widely from those who give up immediately, and just shut down and decide it’s all over for them, to those who try to overcome it and then give up feeling it is too hard. Then there are those who from the start are planning how they will overcome or beat the obstacle put before them.

From 2005 on Robert Wickens career was on a steady upward trajectory. From Formula BMW, through various European formula series, and DTM before eventually ending up as a test driver for Schmidt Peterson racing. His big IndyCar break came when he had to drive the number 7 car in practice for the Kohler Indy Grand Prix at Road America. Driver Mikhail Aleshin, after competing in the 24 Hours of Le Mans, was not able to get back into the U.S. in time to start the race weekend due to visa issues. It was announced later in 2017 that Robert would be joining the team full time for the 2018 season.

I won’t go into the details of Robert Wicken’s 2018 Pocono accident as this is widely known, and not the focus of the story. What astonished me most is the extent of his injuries. This is what makes his come back all the more amazing. In spite of this, shortly after awakening in the hospital, he told the world he would race again, and win.

Through much painful work (which he kept everyone updated on), he managed to get strong enough to test drive Michael Johnson’s Hyundai Veloster with hand controls at the Mid Ohio Race Course. Johnson was another paralyzed driver who drove for Bryan Herta Autosport and had given them a podium finish with co driver Stephen Simpson.

It has now been three years of hard work recovering from the 2018 accident that left him paralyzed, and as he told us then he would race again, and win. In his first race back, driving a Hyundai Elantra for Bryan Herta Autosport, he and his fellow Canadian driver Mark Wilkins scored a podium finish in the Michelin Pilot series at Daytona. But if he has taught us anything, it is that just being on the podium is ok, but it is not a win. With the amount of determination he showed just to get back racing, you knew it was only a matter of time before he would win outright. Saturday June 25th 2022 Robert fulfilled his dream of being a winning driver once again finishing first in the TCR class with Mark Wilkins. He followed that up with a win at Mid Ohio, this time with Gabby Chaves as his co driver.

There is no way of saying how far Wickens will go from here, but the level of determination and perseverance exhibited by this one man is nothing short of inspirational. How many of us can say we could do the same? How many of us would even try? Who knows – I can’t even answer that question myself. What I do know, just from a brief talk on the false grid at Mid Ohio, is he expects to win every time he climbs into a car. When I asked him how he felt about the race that day, without any hesitation he said “we will win, that’s what I’m here for”. There was a confident matter of fact look in his eyes when he said it that told you he truly believed it. Oh, and yes, he did win that day.

 

Joel Love

Rob Edgcumbe

Motorsports in Black and White ll

Black and White motorsports photography while once the norm is now a speciality form of photography. Many try it, few do it well. In this day and age fo high megapixel color photography, black and white gets relegated to a seldom used, or just lost art form.

When considering wether too process a photo for black and white, the first thing you have to understand is that not every shot will look good in this medium. Shots with busy and distracting backgrounds will not work. Next you have to consider the subject matter. Dark blue, green, and black cars or bikes are likely to lose a lot of detail in conversion, and just look like a badly underexposed image. Packs of multiple vehicles close together will leave the viewers eye wandering trying to find the main subject of the shot.

When going through your work, look for shots with one or two subjects isolated on a relatively clear background. This will take the viewers eye directly to the main subject. From there they can explore the rest of the image. If the background is slightly blurred, that makes it even better. Overcast and rainy days also lend themselves well to black and white. All in all you should choose your subject matter carefully.

As for tools, any image editor will give you good results as long as you take the time to learn what you can do with the tools at hand. Spend some time experimenting with sliders and filters to squeeze the most you can out of your software. Just selecting convert to black and white from a preset menu will give you mediocre results at best. I’m partial to NIK Filters Silver Effects for black and white conversion. There are several other stand alone, or plug in programs out there, but this is my personal favorite. So all that is left to do is jump into the deep end, and see what you can create.

Article inspired by Kurt Roussell @ Fast Car Photos.

Joel

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