Tag: sports cars

Motorsports in Black and White lV

When it comes to a black and white motorsports image, this is as close to perfect as you can get. What little background distraction there is has been blurred out by the slow shatter speed panning.

Overview

In this fourth installment of our series on motorsports in black and white, we will focus more on tools and techniques. While some photographers may not know, many of us can look at an image and know how, and what tools were used to process the image. From the person who just clicks the convert to black and white button, to those who put some serious work into adjusting contrast, highlights and shadows, and a few extra touches in an effort to make the image something special. When I use to pour over racings mags in my youth, there was one constant. The best photos were in color on the covers, or the in the center. All others were in black and white. This was mainly due to the cost of publishing in color. Color film has been readily available to consumers since the early 30s, but of course the cost was higher than black and white. So you would have to have a reason to justify the cost. Today there is only a small niche market of photographers who shoot primarily in black and white, weather it be film or digital. For me and the subjects I shoot it constitutes more of an art form. In the world of motorsports photography, many, or should I say most shots do not lend themselves well to good black and white images.

Most distractions in this image have been pushed far into the background by selective use of contrast adjustments

Subject

Choosing the right subject for black and white processing is the first critical step. My first criteria is a background that is as distraction free as possible. Fences, grandstands, people, and large groups of cars should be avoided. The vehicles color is also an important element. Some colors are harder to work with in black and white. I’m not saying it can’t be done, it is just more work. If you can also avoid images with large areas of shadow such as front air intakes, or rear diffusers. These areas can be corrected, but again you will have to do more work.

Trees are one of the appealing background elements that lends it self well to black and white

Tools

Even the most bare bones image editor can create black and white conversions. Some of the more common ways offered are a convert to black and white button, which will essentially remove all color from your image. Other ways of accomplishing the task are desaturation, or a channel mixer tool with sliders to remove colors. The channel mixer when used properly can produce satisfactory results when combined with some of the other tools built into most editors. Another option is to purchase a third party package with more advanced and sophisticated conversion tools. I have used a few of these, and have found in my opinion DX O’s Silver Effects to be superior to anything else I have uses. It is just one module in the NIK filters bundle. I use about half of the nodules in this package on a regular basis, but if Silver Effects were the only one I used, I would still buy the package just for it alone. The key to any conversion software whether basic or advanced is to take the time to learn how to use them effectively.

There is something special about catching a vintage race car just right for black and white. It looks natural.

Theory

The most important part of understanding black and white photography, is understanding the single basic element of photography itself. Light and Shadow. For all the talk of film vs digital, 6 vs 60 megapixels, and DSLR vs Mirrorless, it comes down to one simple inescapable factor, all cameras do the same thing. Capture light. How it does it, in what way shape or form is just a matter of the choice of the photographer. However understanding the relationship between light and shadow is what will make the biggest impact on your photography. The camera is just a tool.

Joel

Ferrari 296 GT Breaks Through

There was much fanfare at the launch of the Ferrari 296 GT3. It looked to be a worthy successor to the very successful 488 GT. However its first outings were less than stellar as they seemed to struggle to find proper race pace. All that was to changed at the 24 Hours of Nurburgring. I watched the qualifying for that race, and was amazed as the Ferrari out paced the entire field in every sector. They not only went on to win the race, they set the first sub 7 minute lap with a 6″58.7 lap time.

Meanwhile in the U.S. racing series, they still had not broken through with a win. That changed August 19 at Road America with a pole position start, and a race win. Manny Franco and Alessandro Balzan drove the Conquest Racing 296 GT3 masterfully in both qualifying and in the race. As a Ferrari fan it was also a good day for me. They went on to duplicate their feat the next day, and sweep the weekend.

Meanwhile in Europe, A 296 scored double podium at ESTORIL by winning first the 6 hour qualifying race, and the 12 hour main race. And it goes on from here with many series having plenty of racing left in their seasons. As more customer cars become available next year, I hope to see more of them on grids throughout various series, especially here in the U.S.,and many more podium finishes.

Joel

IMSA Indy Test

Porsche Penske Motorsports – Porsche 963

Testing is an essential part of auto racing, and there are many reasons why teams do it. Baring any unforeseen problems, most testing is done in the off season. However if you are moving to new equipment, and it is late in arriving, you could find yourself behind the eight ball compared to other teams.

But these are not the only reasons for testing, and not the only times it is done. If part way through a season your car is performing as well as you feel it should, you schedule test at various tracks. Most test sessions are private, and may only consist of one team. Others may be in conjunction with teams. They are however open test that take place before certain big races. Most are open to the press, and maybe a few fans.

Crowdstrike Racing by APR – Oreca LMP2 07

Such a test took place recently at Indianapolis Motor Speedway. It was for IMSA cars participating in the upcoming race to take in September of this year. For this test there was a very good reason. IMSA has not been to Indy since 2014.That was at the time of the IMSA Grand AM merger. The cars of today are a far cry from those that were there in 2014. The top prototype class has evolved from the Daytona prototypes of that time, to the DPi cars, to the new GTP Hybrid cars. I have no doubt that even for drivers who were there in 2014, that there will be a bit of a learning curve.

BMW M Team RLL – BMW M Hybrid V8

Thirty three cars participated in the test, from GTP, LMP 2, LMP 3, GTD and GTD Pro. There were cars from the Michelin Pilot series who had their own sessions. There were very few mishaps, although it take the #60 Acura a few laps to figure out turn 12. Otherwise the day I was there was quite smooth. I am sure those who were there now have the basis of a notebook to work from on how to set up their cars for race weekend.

Wright Motorsports – Porsche 911 GT3 R (992)
Paul Miller Racing – BMW M4 GT3
JDC Miller MotorSports – Porsche 963
Bryan Herta Autosport with Curb Agajanian – Hyundai Elantra N TCR
Era Motorsport – ORECA LMP2 07
Meyer Shank Racing w/ Curb Agajanian – Acura ARX-06

Joel

Speed and Sport Shorts: Tough Shots (Eye of the Driver)

This is something I try to do every chance I get. So what makes this a tough shot? First you have to have the right conditions. Most preferred are early morning, or late afternoon. During these times the low sun shines directly in to the car. At these times most drivers tend to have their visor either partially or fully up. Another condition that will offer this kind of shot, is cloudy and heavy overcast. In these conditions many drivers will wear a clear visor for better visibility. Second, you have to be able to get close enough to track side to see directly into the front windshield of the car. It doesn’t matter if it is on a strait or curve. Both offer unique views, and expressions on the drivers face. Third you must have a long enough lens to zoom in tight on the driver.

What is it I like about this shot? In the drivers eyes you can see focus, determination, and intensity. You will see them looking at the apex of an upcoming turn. Glancing in the mirror to see who is around them. Also a calmness of a person at work going about their job. What ever the expression is, it fascinates me, and I often find myself looking at these shots for long periods of time trying to determine just what they might have been thinking at that moment in time. After all isn’t that what still photography all about, capturing moments in time?

Joel

 

Trans AM Americas Road Racing Series

Growing up in the big city, my only exposure to racing was occasional television broadcast. Only the Indianapolis 500, and the Daytona 500 were regularly broadcast. Every so often ABC’s Wide World of Sports would show sports car racing, or drag racing. I never attended a race in person until I was an adult. But that never impacted my love of cars, and racing. I had been reading books and magazines about racing since 5th grade, and read every thing I could get my hands on.

One day (I don’t remember when) I came across a race on tv I had never seen before. What excited me about it was the cars competing were Mustangs, Camaros, Challengers, and Javelins. The cars that most of us kids stared at in countless magazines and ads, were racing on a road course somewhere. I had discovered Trans AM racing and wanted to know more.

In front of the “L” train station near my house stood a news stand. The guy there knew me as the kid that always came by looking at car, and racing mags. When he got something new he thought I might be interested in, he would put it aside until next time I came by. The day I came by to ask him if he could find something on Trans AM, He reached under the counter and handed me a magazine on sports car racing. From then on I followed the series as best I could, built models of most of the cars, and also started following Can-AM racing as well. Now here we are many years later, and I still feel the same excitement watching Trans AM as I did back then

From its beginning in March of 1966, Trans AM has had a long and varied history. It has gone through many phases to get to where it is today. Their own history on their web site list the several different era’s it has gone trough. Trans Am’s darkest period came in 2006 when SCCA Pro Racing shut down the series. It didn’t come back until 2009. New rules based on GT1 brought renewed interest, and its popularity has steadily climbed since then. Still after all the ups and downs, it’s evolution from production based cars, to tube frame purpose built cars, the excitement level has never waned.

Trans AM has gone through more changes since it’s beginning than most other racing series of the same age. Having been started in the (win on Sunday, sell on Monday) days of racing, it didn’t take manufacturers long to become interested and start investing money in teams with their brand. Another trend that continues to this day is the desire of top drivers from other disciplines to compete in this series. Todays drivers range from 16 year old kids starting out, to championship winning veterans who have retired from other series, and now race just for the enjoyment of racing. Then are the pure Trans AM vets who have been in the series for their entire career.

Todays top tier fire breathing Trans AM cars are a world away from the cars I first saw. Although the bodies are made of differ4ent materials, they are still true to what a Trans AM car was, and should be. Todays series is split in multiple categories, TA, and TA2 are the most popular. When you see these machines on track, it is easy to understand why. Todays TA2 cars most resemble the original cars, and this always the most crowed starting grid.It’s been a long time, and my hair was a different color, since I first discovered Trans AM. But the feeling I have about this series is still the same.

Joel

 

 

Unpublished #1

Every photographer I know has them, lots of them. Images that were taken at an event but were never posted or published anywhere. If you are like me, many have never even been edited. So when I am going through archived folders and run across one or more I think are worthy of publication, I copy them to a folder named hold for processing. Then from time to time when I am looking for something to post online, I go to this folder first. Most times I find what I need there. With that said I am going to start a new recurring series titled Unpublished to highlight some of these images, so they can finally see the light of day.

I have taken many shots go this Jaguar, but none that I thought were more than just average and not worth doing anything with. But somehow I miss this one.

This is one of my more unique images, but if you are going to shoot driver change practice, get permission first as I did. A guy who came along after while I was reviewing my shots did not asked. He learned a few new German swear words.

Here we have an interior of one of Blackdog racing’s McLaren’s shot in the first year of them operating them.

Joel

Ferrari Prominence and Triarsi Competizione

In following sports car racing, one of the trends that is watched with interest is the constant change of cars from season to season. It can be both fun and heartbreaking to watch as you anticipate what car various teams will be using from season to season. Different manufacturers rise and fall in prominence each year, and you feel a bit sad if it’s one of your favorites that begins to fade. This is also true of series and regions. Cars that are widely raced in Europe, may have a smaller presence in the U.S. and vise versa. At one time Aston Matins were few on most grids, now they are pretty much ubiquitous.

Myself as a Ferrari lover, had noticed a downward trend in their use here as compared to Europe and Asia. 2022 saw a bit of a change in trajectory compared to the last few years. In part this can be attributed to the emergence of Triarsi Competizione. With two to three entries per race in Fanatec GT World Challenge North America, and as a major player in Ferrari Challenge, they seem to have ignited renewed interest in the 488 GT. I can’t help but feel the the new 296 GT3 will spark even more interest in the brand, and we should see the prancing horse once again prominent on many future grids.

Sample of entry prominence by Series (in no particular order)
– FANATEC GT Europe: AMG, Audi, Mclaren
– FANATEC GT North America: AMG, Lamborghini, Acura
– FANATEG GT Asia: Audi, AMG, Porsche
– IMSA: Porsche, AMG, BMW,
– British GT: AMG, Aston Martin, McLaren

This may not be 100% accurate, I’m just doing it from memory. It is just meant to show the variety of makes, and where they are popular. We are now in a new year, and there have already been announcements of teams switching to different brands. And so it goes on, and will continue to.

Joel

Speed and Sport Shorts: Tough Shots 1 (Rain)

When shooting motorsports much of what you shoot can be considered tough shots, but there are those situations that require a great deal more work and patience. Those who normally shoot slower moving, or stationary objects don’t appreciate the challenge of shooting really fast moving targets. You have track, lock onto, compose, and capture a subject that will only be there for a few seconds or less. Even with all of that there are other variables that make things more challenging. In this first post we will discuss one of them, rain.

Unlike NASCAR or IndyCar on the oval tracks, sports car racing doesn’t stop for rain unless it is so hard that it forms large puddles on the racing surface. Otherwise they switch to rain tires and continue. For the photographer this means putting on rain gear, covering your camera with a protective covering, and most likely standing in mud or a puddle to get the shot. While it can be very tough conditions to shoot in, the results are very rewarding.

So while the fans put up umbrellas, or run for cover, you will see these intrepid individuals covered in plastic carrying large cameras headed in the other direction, into the rain to try to capture what may be some of their best shots of the year.

 

Joel

FANATEC GT World Challenge Road America

One of the disappointments I have in covering motorsports is that I am limited in how far I can travel. Being a small independent outlet, all expenses come out of pocket. This year was particularly hard. But this is something I knew when I embarked on this venture, and I just have to endure it. It just saddens me though that I only get too cover some of my favorite series once or twice a year. This is especially true when it comes to sports car racing in general, and GT racing in particular.

This past weekend I got to see the form of racing I like best, GT3 and GT4. Road America is a perfect venue to showcase the FANATEC GT World Challenge America. Four miles, fourteen turns, and changing elevations provide the perfect place to show off the capabilities of both cars and drivers. I’m always happy to see a healthy field of cars on track. The GT4 class not only had a good number of entries, but offered a true Battle Royale throughout the entire field. While Stevan MCaleer and Eric Filgueirus drove their RS1 Porsche Cayman to victory by a healthy margin of 15 seconds in race 1. Race 2 would be more closely contested with only 8 seconds separating the top ten finishers.

Among the other truly enjoyable battles, was the battle in the TCA class between the Mini of JCW and the two Subaru BRZs of TechSport Racing. These three cars stayed bumper to bumper throughout the race, with the mighty Mini coming out on top with a pass in the final laps. At the location where I was shooting from, most of the people around me were focused on this battle.

As for the premier series, GT World Challenge North America, there was plenty of exciting racing as usual. If you are any kind of sports car fan, there is no way you can dislike this series. Top marque’s and drivers whats not too like. It was a weekend of highs for some, and lows for others. Winward Racing swept both races, Top series contender Crowdstrike / Riley MotorSport had nothing but bad luck. A DNF in race 1, and a strange incident with a hood in race 2. Both of these occurred on lap 1 of each race. In the second race George Kurtz and Colin Braun would soldier on hoodless to finish one lap down, but salvage some points. Series leading K Pax Racing while not having an ideal weekend, did what they could and overall managed to have a fair weekend and retain their points lead. The original field was thinned somewhat due to incidents in practice and qualifying. One of the more notable was the number 13 Triarsi Ferrari which fell victim to the kink, as did a few others that weekend.

There was but one disappointment for me. That was in GT America. It was not due to the quality of racing, and I enjoyed seeing Andy Pilgrim victorious again. It is in the length of these races. This was one aspect of the original Pirelli World Challenge I did not like. I like the concept of this series which allows for slightly older GT2 and GT3 cars to still compete. I like the idea of GT3 and GT4 cars on track at the same time. However in many cases just one full course yellow can take away as much as half of the race. This sentiment was echoed by many fans I talked to. It may just be my opinion, but I believe these races should be at least 50 – 60 minutes so that even in the event of a caution, we get to see more racing action. This not withstanding it is a fantastic class with lots of action when under green flag conditions. One of the most anticipated things was the Calloway Corvette. Having Corvette on track with all the other top GT3 contenders just seems right. I haven’t heard if Chevrolet was planning to make a true GT3 version of the current model, but if they do it would be well received.

All in all it was the expected great racing weekend (despite the weather man being wrong every day). As for me there is no place I would have rather been but trackside.

Joel

Motorsports in Black and White ll

Black and White motorsports photography while once the norm is now a speciality form of photography. Many try it, few do it well. In this day and age fo high megapixel color photography, black and white gets relegated to a seldom used, or just lost art form.

When considering wether too process a photo for black and white, the first thing you have to understand is that not every shot will look good in this medium. Shots with busy and distracting backgrounds will not work. Next you have to consider the subject matter. Dark blue, green, and black cars or bikes are likely to lose a lot of detail in conversion, and just look like a badly underexposed image. Packs of multiple vehicles close together will leave the viewers eye wandering trying to find the main subject of the shot.

When going through your work, look for shots with one or two subjects isolated on a relatively clear background. This will take the viewers eye directly to the main subject. From there they can explore the rest of the image. If the background is slightly blurred, that makes it even better. Overcast and rainy days also lend themselves well to black and white. All in all you should choose your subject matter carefully.

As for tools, any image editor will give you good results as long as you take the time to learn what you can do with the tools at hand. Spend some time experimenting with sliders and filters to squeeze the most you can out of your software. Just selecting convert to black and white from a preset menu will give you mediocre results at best. I’m partial to NIK Filters Silver Effects for black and white conversion. There are several other stand alone, or plug in programs out there, but this is my personal favorite. So all that is left to do is jump into the deep end, and see what you can create.

Article inspired by Kurt Roussell @ Fast Car Photos.

Joel

Posts navigation

1 2
Scroll to top