Tag: weather tech sports car challenge

Unpublished #1

Every photographer I know has them, lots of them. Images that were taken at an event but were never posted or published anywhere. If you are like me, many have never even been edited. So when I am going through archived folders and run across one or more I think are worthy of publication, I copy them to a folder named hold for processing. Then from time to time when I am looking for something to post online, I go to this folder first. Most times I find what I need there. With that said I am going to start a new recurring series titled Unpublished to highlight some of these images, so they can finally see the light of day.

I have taken many shots go this Jaguar, but none that I thought were more than just average and not worth doing anything with. But somehow I miss this one.

This is one of my more unique images, but if you are going to shoot driver change practice, get permission first as I did. A guy who came along after while I was reviewing my shots did not asked. He learned a few new German swear words.

Here we have an interior of one of Blackdog racing’s McLaren’s shot in the first year of them operating them.

Joel

Farewell to Prototype Challenge (Sort of)

Besides the DPI class, we say farewell to the Prototype Challenge class, Again. I wrote pretty much the same story in November of 2017. That was when the open cockpit PC cars which were based on the old P1 design were phased out. 2023 will see the end of the current Prototype Challenge series.sort of.

IMSA is debuting a new series known as the VP Racing Sports Car Challenge. It will consist of 10 sprint races over five weekends, and will feature current LMP3 cars and GT4 cars. While the LMP3 cars will keep their current designation, the GT4 cars will be designated as GSX. These will be single driver races with no scheduled pit stops. Drivers must have either a bronze or silver rating.

While I understand the concept of the series, I’m still a bit puzzled about the logic behind it. If there is a similar series running anywhere else in the world I have not seen it. But not being on the inside, I am sure the is a sound rational behind the development of such a combination. As time passes, I’m sure I will come to understand it better.

joel

Speed and Sport Shorts: Tough Shots 1 (Rain)

When shooting motorsports much of what you shoot can be considered tough shots, but there are those situations that require a great deal more work and patience. Those who normally shoot slower moving, or stationary objects don’t appreciate the challenge of shooting really fast moving targets. You have track, lock onto, compose, and capture a subject that will only be there for a few seconds or less. Even with all of that there are other variables that make things more challenging. In this first post we will discuss one of them, rain.

Unlike NASCAR or IndyCar on the oval tracks, sports car racing doesn’t stop for rain unless it is so hard that it forms large puddles on the racing surface. Otherwise they switch to rain tires and continue. For the photographer this means putting on rain gear, covering your camera with a protective covering, and most likely standing in mud or a puddle to get the shot. While it can be very tough conditions to shoot in, the results are very rewarding.

So while the fans put up umbrellas, or run for cover, you will see these intrepid individuals covered in plastic carrying large cameras headed in the other direction, into the rain to try to capture what may be some of their best shots of the year.

 

Joel

Motorsports in Black and White ll

Black and White motorsports photography while once the norm is now a speciality form of photography. Many try it, few do it well. In this day and age fo high megapixel color photography, black and white gets relegated to a seldom used, or just lost art form.

When considering wether too process a photo for black and white, the first thing you have to understand is that not every shot will look good in this medium. Shots with busy and distracting backgrounds will not work. Next you have to consider the subject matter. Dark blue, green, and black cars or bikes are likely to lose a lot of detail in conversion, and just look like a badly underexposed image. Packs of multiple vehicles close together will leave the viewers eye wandering trying to find the main subject of the shot.

When going through your work, look for shots with one or two subjects isolated on a relatively clear background. This will take the viewers eye directly to the main subject. From there they can explore the rest of the image. If the background is slightly blurred, that makes it even better. Overcast and rainy days also lend themselves well to black and white. All in all you should choose your subject matter carefully.

As for tools, any image editor will give you good results as long as you take the time to learn what you can do with the tools at hand. Spend some time experimenting with sliders and filters to squeeze the most you can out of your software. Just selecting convert to black and white from a preset menu will give you mediocre results at best. I’m partial to NIK Filters Silver Effects for black and white conversion. There are several other stand alone, or plug in programs out there, but this is my personal favorite. So all that is left to do is jump into the deep end, and see what you can create.

Article inspired by Kurt Roussell @ Fast Car Photos.

Joel

The Story Within the Story

It is to me the story within the story from this weekends Michelin Pilot race at Road Atlanta. The race crowned a season champion in the form of Jan Heylen driving the number 16 Porsche for Wright Motorsports. However the real story for me was the winning TCR car, the number 5 Alfa Romeo Giulietta driven by Tim Lewis and Roy Block.

So, why is this the real story to me? It is the fact that this plucky little TCR car this year managed to overcome a number of reliability issues that has plagued it for the past two years. Wins at Road America and Road Atlanta, and top 5s at Lime Rock and Sebring made it one of the most successful seasons to date. And then there I the matter of carrying on the tradition of one of the oldest names in motorsports. I am always rooting for this car simply because of the racing heritage it carries with it.

Joel

My Choice, GT

It’s the kind of subject that can spark endless arguments and debates, but I just have to get it out there. For me the only type of racing I can see myself never getting tired of is GT racing.

In my youth the first kind of racing I ever paid any real attention to was Formula 1 and IndyCar. Not from being able to attend any races, It was from reading about these series. I read anything I could get my hands on about racing in general. There was a newsstand in front of the “L” station near my house, and the guy who ran it knew I was interested in auto racing, and would get magazines from his distributor and hold them until I came by. It was in reading the varied magazines I bought from him that I discovered sports car racing such as, Can-AM, and Trans-AM racing.

Before this it was IndyCar, NASCAR, and Drag Racing. Being from the inner city midwest, that was pretty much all we heard about. Upon reading about the different road racing series I began to lose interest in IndyCar, and later NASCAR. However these were still the only televised series, so I continued to follow them for the most part. On the rare occasion they would show sports car racing on TV, it would be edited to fit within a 60 to 90 minute time slot with commercials. Lots of commercials.

My interest in IndyCar faded after some time, but returned when they began to run majority road courses. The cars and level of competition has improved immensely in the past decade also. As for NASCAR, my interest level dropped significantly when they decided the words “Stock Car” in their name was no longer relevant. Then there is also the matter of 40 plus car fields (at least 10-15 of whom should not be out there) riding around in a circle waiting for someone to cause several of them to crash into one another.

So with all that said just what brought on this whole line of thought? Watching the TOTAL 24 hours of Spa, and one of the most exciting endings I have seen in some time. Seeing Dries Vanthoor’s Team WRT make the perfect call to switch to rain tires just before a downpour to get the race lead from Ferrari. Then watching Alessandro Pier Guidi recover from a huge deficit to catch, then pass Vanthoor on the outside in the rain and drive the Iron Lynx Ferrari 488 to victory. It started me to thinking just how many times I have seen close, exciting racing like this in GT racing. Then there are the intangibles for the fans that go along with this type of racing.

For all the technological brilliance that goes into Formula 1 and Prototype race cars, they are never something you can (or will) ever see yourself owning or driving. While cars in GTE, GTLM, GT3, and especially GT4 are you cars you can aspire to someday owning. You see many of these same cars on the streets of your town, you know the names, Ferrari, Lamborghini, Porsche, Corvette, Aston Martin. All the way down to the GT4 ranks where you see Mustang, Camaro, Elantra, and Supra. Picturing yourself behind the wheel of any of these cars is not hard given the right circumstances.

 

So the rest of you enjoy your Formula 1, NASCAR or any other racing you are into. I have nothing against any other form of racing, and I shoot many of them, but if I were forced to choose just one, it goes without saying that it would be GT racing.

Joel

MotorSports in Black and White

Black and white photography in motor sports seems to have always been a matter of necessity more than choice. At the origins of auto racing it was pretty much all there was. Photography and racing are two technologies that grew up side by side. In later years as color film became more prevalent, and less expensive, it was only natural that many photographers would take advantage of it. But in being able to present it to the public at large there was yet another more important hurdle to overcome, printing.

To bring the news and action of racing to the interested masses required the ability to write the story as well as publish photos from the events. At the time auto racing began, it had not been that long since the ability to print photos in magazines and newspapers had been invented. Half toning, a process of using dots of ink of varying size and intensity to form a picture, had only been developed in the 1890s. This allowed publications to use actual photos instead of illustrations to present the news. When it came to sports, and auto racing in particular, the only other limiting factor of the day was the camera equipment available at the time.

Large box shaped cameras of the earliest days required a tripod, and a very brave soul willing to stand mere inches from speeding cars to capture the action. What we are able to do today (and from farther away) with our digital cameras, and 500mm lenses would probably seem like alchemy to someone from the 30s wielding a Graflex Speed Graphic with a fixed focal length lens.

In today’s world, black and white photography in motorsports is a very much overlooked tool of the trade. When you look at old racing publications of the 50s through the mid 80s you will notice that only the cover, and a few center pages are in color. This was mainly due to the printing cost as well keeping the publication’s need to keep the magazine at a reasonable price. So most of the ordinary shots were relegated to the black and white pages. Those thought to be the best were given the color pages.

Today we have the luxury of choosing the shots that are best suited to black and white. We have the ability to make exposure and lighting adjustments to enhance the image and mood we are trying to convey. What we can do in a few hours of post production on a computer, would have taken days with chemicals in a darkroom. Thus we get to use it more as an art form. While this was the intent of all photography at one point, the demands of the commercial world soon beat that out of us. While black and white in motor sports is largely overlooked, when it is used, it is often done with mediocre to abysmal results. Mostly because the photographer doesn’t take time to learn the tools they have at hand, and many don’t take time to determine whether the shot is well suited to to the medium. When done correctly, the results can be quite stunning. Tools such as levels, curves, dodging and burning can go a long way toward adding contrast, and breathing life into what may otherwise be a flat image.

Landscape and portrait photographers were among the first to fully understand the power of black and white photography. Color film became available in 1904, yet many chose to stay with black and white. Looking at the work of Ansel Adams, Walker Evans and Gordon Parks and trying to imagine them in color yields disappointing results. I’m sure they understood that the very essence of photography was the difference between light and shadow, and color could not adequately portray this.

So what’s a photographer to do? My solution is to make a cup of coffee, find a comfortable place to sit, and re-read one of my books on the basics of photography. Not digital, or film, just photographic technique. This normally resets my brain, and makes me think a bit more before I shoot.

Joel

Single Make Series

Overview

The car pictured at the top of our story is a Maserati Grand Tourismo of the now defunct Maserati Super Trofeo series. This series suspended operations at the end of their 2016 season, and has not come back since. One of the primary reasons was due to the age of the car. As of this date it is now a thirteen year old platform that still has not been updated. Conversations I have had with Maserati at first promised a return of the series with a new car, and now a statement that they are refocusing their efforts on a luxury SUV line. While the series was very competitive and entertaining, this was not enough for a company with one of the oldest names in Motorsports to keep it going.

This highlights what can happen to a single make series when it’s manufacture loses interest. Thankfully for us there are other single make series who have not suffered this fate. This brings us the long way around to the focus of this article, single make series. These series are sometimes called “spec” series. This is technically not true. On the enthusiast or club level this is a more accurate term. Also in development series such the Road to Indy series the term may be applied. In single make series drivers are from all levels of proficiency, although a driver may be listed as an amateur, it only means they do not make they’re living as a race driver. It has nothing to do with driving ability.

Porsche GT3 Cup

There is no shortage of Porsche only series around the world. Some even run by Porshe themselves as driver development series. Since 2005 this popular U.S. and Canadian series has provided some truly exciting racing. Many of its drivers honed their skills here before moving on to other series. There however a few gentleman drivers who continue to run here either full or part time. One note to add is that this series through the years has had some of the best liveries seen on a race car.

Lamborghini Super Trofeo

While having been around since 2009, Lamborghini Super Trofeo North America has only run since 2013. With the addition of North America, it is another three continent series. There are four classes of competition. Pro, Pro/AM, amature or AM, and LB Cup. This has become one of my personal favorites. Many of its drivers compete here as well as other series, often in the same race weekend. It has a mo ster season finale with cars and drivers from all three continents competing against their own region first, with the top points earners moving on the the finals to complete against the top drivers from the other regions.

Ferrari Challenge

First run in 1993 Ferrari Challenge is what known as a series for “gentlemen drivers”. Participants purchase and maintain their own cars, and pay all entry fees, sometimes with a little sponsorship help from friends. The level of talent pretty much runs the gamut from pure amateur to professional. Like similar series, there are divisions in the U.S., Europe, and Asia.

Saleen Cup

This is the latest in the single make series. Starting mid 2019 with the development of the Saleen S1, this looks to be an entry level series for new driver development. Starting in mid season 2019, there are plenty of bugs yet to be worked out. Some with the brand new Saleen S1 developed for this series, and street production. Others with competitors and racing rules. There is not a lot that can be said about this series just now having only a partial season under its belt. What can be said is that it looks to have a lot of promise. One cool idea for its inaugural season was using historic liveries from famous race teams.

Mazda MX5 Cup

Exciting, competitive, close racing, and fun. These are just a few of the descriptions you will hear to describe the Mazda MX5 Cup series. Boring, dull, uninteresting. These are terms you will never hear to describe it. You would be hard pressed to find any other sports car series this closely contested. More often than not the winner is decided on the last lap.

Wrap Up

The series listed are either pro or development series run in the the United States, and Canada. There are many more amateur, hobbyist, or local single make series.

Joel

GT 3 Racing

It’s the sort of topic that comes up when you are sitting around chatting with friends. You also see it on social media. It goes something like this. If you were stranded on an island what record, food, or other possession would you want to have with you. Sometimes its one item or three. But the concept is the same.

So the other day I was thinking how could I apply this to motorsports, and this is what I came up with. You are stranded on an island with a big screen TV which receives a different auto racing series on each channel. You have to tune to one, however once you make your selection the TV can no longer be tuned to any other channel. It will pick up only the channel you choose from now on. What will it be, Formula 1, IndyCar, NASCAR, NHRA, Prototype, maybe Moto GP or MotoAmerica. You get the point.

I’ll let you ponder what your choice will be, but for me the choice was easy, GT racing, and GT3 in particular. I have had different favorite series through the years, but I always come back to GT. I wish I could say for sure why, but I believe it isn’t any one thing. The one that first comes to mind is they represent the finest in automotive engineering that is available to the public. They are not purpose built cars that are designed only to be used on track, but modified versions of street cars, albeit expensive ones. None the less they inspire dreams, and give us something special to wish for. Then there is the shear variety of cars.

– Ferrari
– Porsche
– BMW
– Lamborghini
– Audi
– Mercedes AMG
– Acura
– Lexus
– McLaren
– Aston Martin
– Bentley

 

Also the level of competition in these series around the world is hard to match. And then there is the option of cheering for a favorite driver, car make, or team. I’m sure after I am finished writing this I will think of more, but that should give you an idea of my thinking on the subject. Now you can mull it over and come up with your own favorite.

joel

A Farewell to Porsche

While the flat six of the Porsche made a very distinctive sound, I think the first thing I noticed about them was what sounded like a small explosion when it shifted gears. However it is a sound we will now only hear in the GT3 class.Porsches decision to pull out of IMSA’s GTLM class further reduces a field that was suffering from the loss of Ford at the end of 2019. I’m assuming that they will continue their GT3, and Porsche cup series participation.

We are left to imagine what could have been if…
– Ford had extended their contract for one more year
– Ferrari would decide to spend a dollar and field a team
– Porsche had remained
– All with the new Corvette coming on line

As far as I know this does not effect the GTE series, or other overseas racing. We have seen it before, and will see it again. Teams come and go as priorities shift. We can only hope this drought won’t last long.

In the past other teams besides the factory entries have carried the Porsche banner in IMSA’s top GT tier. So we honer them as well.

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